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Dai ‘nomi dei dipinti’ ai ‘nomi dipinti’

Aleksandra Pronińska

Abstract


The paper is a reflection on proper names in the context of works of art, based on the analytical corpus of paintings by Leonardo da Vinci, including the portrait of a Lady with an Ermine in the Czartoryski Museum in Krakow. The analysis of proper names is carried out from two perspectives: (1) the name of the painting and (2) the name depicted in the painting (painted name).


Parole chiave


name of painting; figurative art; portrait; title; Leonardo da Vinci;

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